Office: ARTS 113C, jbellow@drew.edu

Juliet Bellow is a specialist in Modern and Contemporary Art. Beginning in Fall 2007 she will teach a range of courses at Drew in that field, including Nineteenth-Century Art, Museums and Society, and the New York Semester on Contemporary Art. Her scholarly research focuses on the relationship between modern art and dance. Her current projects include a book on set and costume designs by Pablo Picasso, Henri Matisse, Sonia Delaunay, and Giorgio de Chirico for Serge Diaghilev’s Ballets Russes troupe, tentatively entitled Corps Values: The Avant-Garde, The Ballets Russes, and the Modern Body in Crisis, and a study of Auguste Rodin’s dance images. She holds M.A. and Ph.D. degrees in the History of Art from the University of Pennsylvania.

Selected publications include:
“The ‘Long Nineteenth Century’: A Review of Textbooks” (forthcoming in
     CAA.reviews)
“Balanchine and the Deconstruction of Classicism,” in Marion Kant, ed.,
     The Cambridge Companion to Ballet (Cambridge: Cambridge
     University Press, 2007): 237-245.
“Reforming Dance: Auguste Rodin’s Nijinsky and Vaslav Nijinsky’s
     L’Après-Midi d’un Faune,” Cantor Arts Center Journal 3 (2002-03):
      172-185.
“A Feminine Geography: Place and Displacement in Jewish Women’s Art
      of the Twentieth Century,” in Larry Silver, ed., Transformation: Jews
      and Modernity (Philadelphia: University of Pennsylvania Press, 2001):
      35-56.